{
  "source": "Fashion Week Venues",
  "title": "Virtual Production Studio with LED Technology",
  "description": "We are a virtual production studio featuring a real-time camera tracking system with LED screens. Our facility integrates a comprehensive set of hardware and software tools to meet the demands of the production industry. \n\nWe assist you throughout your productions, addressing all needs related to the creation of virtual sets broadcasted on LED screens. Our services include the setup of physical sets, content adaptation, and provision of equipment such as LED screens, camera tracking systems, and servers.\n\nOur space serves as a venue for production, collaboration, meetings, and learning, welcoming anyone interested in exploring virtual production and its various professions. We support productions in projects involving films, fiction, music videos, and advertisements.",
  "tldr": "A 1,350 sqm (14,531 sq ft) virtual production studio for hire in Trappes, in the Pissaloup and Buisson de la Couldre technical zone west of Paris, built as a basement level LED volume with real-time camera tracking and zero daylight variables. It reads as a working production facility rather than a fashion address, and is vetted by Fashion Week Venues for crewed shoot days. Best For Seasonal campaign production using the LED volume as a content studio, e-commerce and lookbook capture with full crew, brand film and music video shoots with real-time compositing, digital collection preview assets for wholesale appointments, and creative workshops or virtual production training. Temporary retail, press days and sample sales are a poor fit at this address and should be booked elsewhere. Standout Features LED screen volume with a real-time camera tracking system and on-site media servers, a dedicated control room for live compositing, and three interior dressing rooms plus an exterior dressing room. Also included are garment racks, counters and fitting rooms for wardrobe handling, a full kitchen suitable for crew catering, on-site parking for talent and unit vehicles, and air conditioning with a security system across a move-in ready floor. Location Trappes and La Verrière stations on RER C and Transilien Line N sit roughly 15 to 20 minutes away by car or local bus, with the A12 and N10 giving direct road access from Paris, Vélizy and Guyancourt, and the Résidence Orfea hotel 439 m on foot for early call times. The immediate streets around Avenue Gutenberg are low-rise industrial with unit van loading and dealership frontage, quiet from mid-morning, which makes client arrivals for embargoed work discreet. Availability Day rate is 3,600 EUR, with a one day minimum and a five day maximum, so you book by the day rather than by the month. Allow four to six weeks lead time for Paris region bookings and longer across the March and September fashion week windows and Q4 campaign season, when LED stages across the western belt are the first to go. How to Book Send a brief with shoot dates, crew size and virtual set requirements and we reply within 24h with confirmed availability and a costed hold, with no charge until confirmed. Permit paperwork, on-site staffing and fit-out coordination across both the physical and virtual set are handled by our team, so enquire now to request availability and lock your shoot dates.",
  "editorialTake": "Book this Trappes facility for seasonal campaign production and high volume content capture, not for any consumer facing moment, because a 1,350 sqm basement LED volume with real time camera tracking and on site servers lets a brand shoot four or five distinct virtual environments in a single crewed day without travel, permits or weather risk. The absence of daylight at basement level is the operational asset here rather than a compromise, since colour temperature and continuity hold identically from the first frame of the morning to the last take at wrap, and the adjacent control room allows live compositing so creative directors approve what they are actually getting instead of imagining it, which is where our production and build team usually earns its fee scoping the physical set alongside the virtual one. Aesthetically and commercially this fits established digital first labels with a funded content programme, think sportswear, sneakers, technical outerwear, eyewear and fragrance at the 20 to 200 person scale, brands already art directing in CGI and engineered light; heritage maisons trading on patina, hand finishing and a genuine Paris address will find an LED backdrop works against them. In our experience four to six weeks lead time is workable for most of the year, but the September and March fashion week windows plus the Q4 campaign rush clear every LED stage on the western belt first, and note the five day maximum lease and the Orfea residence 439 m away for 6am call times, so if you need footfall rather than technology, look instead at our spaces in Paris inside the Périphérique.",
  "idealBrandProfile": "This studio suits brands with a funded content programme: a 20 to 200 person team, five or more years of trading, and either an in-house creative studio or a retained production partner who can crew an LED shoot properly. The reason is operational. A 1,350 sqm basement volume with real-time camera tracking, a control room, three dressing rooms, an exterior dressing room, a kitchen and on-site parking is priced and configured around a full unit day, not around a founder shooting product on a rail. Brands at this stage typically find one booking here absorbs what would otherwise be three or four separate location days. Where we see mismatches is when a two to five person label enquires hoping for customer visibility; Trappes has no walk-by traffic and no fashion adjacency, so anyone who needs an audience should be looking at spaces in Paris inside the Périphérique. Large houses planning multi-week standing builds will also hit the five day maximum lease. Aesthetic Fit Digital-first visual identities work here: sportswear, sneakers, technical outerwear, eyewear, fragrance, fine jewellery and streetwear labels that already art-direct in CGI, engineered light and constructed environments. On an LED volume the set is content, so brands holding existing 3D assets, or willing to commission them, extract the most value. The physical shell is a working studio at basement level with counters, garment racks and fitting rooms that serve wardrobe rather than appear in frame, and the absence of daylight is an advantage because colour and continuity hold from the first take to the last. What does not work is heritage craft positioning built on patina, aged plaster, natural light or a genuine Paris address, because those cues read as authenticity and an LED backdrop cannot substitute for them. Tactility-led brands should shoot on location instead. Best Use Cases First choice is seasonal campaign production, because the LED volume, tracking system and on-site servers let you move through multiple environments in a single day without travel, permits or weather risk. Second is e-commerce and lookbook capture at volume, supported by four dressing rooms, garment racks, fitting rooms and a kitchen that keeps a full crew on site. Third is brand film and music video work, where live compositing in the control room lets creative directors approve frames rather than imagine them. Fourth is a digital collection preview shoot producing assets for wholesale appointments and press distribution, rather than hosting buyers physically. Fifth is workshops and internal upskilling on virtual production. Sixth is product and CGI-led advertising for the corporate and mobility clients already clustered nearby. Complex physical and virtual sets are best scoped early with production and build input. Press days, pop-up shop formats and sample sales do not belong at this address. Budget Signal This sits in the upper-mid band for production space across the Paris region and clearly below what a comparable LED stage commands in Saint-Denis, Saint-Ouen or Pantin. You are paying for technology and crew infrastructure, not for address equity, which is the right trade for a shoot and the wrong one for anything consumer-facing. Set against a central Paris daylight studio plus separate LED, tracking and server hire, the bundled rate usually lands lower once rigging, transport and second-unit days are counted. Hotel event rooms, co-working venues and shared pop-up formats are not real comparators here; they sell proximity to people, this sells production capability and privacy. In our experience the value case turns on how many distinct environments a brand needs per day, and running that through our budget calculator settles the question quickly.",
  "neighbourhoodMood": "Production companies, post houses, camera and grip rental firms and the technical crews who service them are the working population of this part of Trappes, alongside the engineering and mobility businesses that fill the Pissaloup and Buisson de la Couldre activity zones. Walk the stretch around Avenue Gutenberg and Rue Gustave Eiffel on a weekday and you see unit vans loading, freelance gaffers arriving by car, and technical directors doing site recces rather than shoppers or gallery visitors. The Saint-Quentin-en-Yvelines cluster next door pulls in industrial design, automotive and aerospace teams from Guyancourt, Élancourt and Vélizy, which means a steady flow of corporate film, product launch and CGI work that keeps studios like this one occupied outside of fashion season. In our experience placing brands across the western Paris belt, this is a maker's district rather than a showroom district, and it functions best for teams who need volume, ceiling height and a loading door, which is a different brief entirely from our spaces in Paris intra-muros. Brands choose this address for the technical infrastructure and the price per square metre, plainly and simply, because nothing comparable exists inside the Périphérique at this cost. A 1,350 sqm LED virtual production floor with control room, three dressing rooms and on-site parking would be priced very differently in La Plaine Saint-Denis, Saint-Ouen or Pantin, and the queue for those stages during campaign season is long. Bry-sur-Marne and Épinay offer scale on the eastern side but sit awkwardly for crews and clients based in the western suburbs. What you trade away is context. There is no Marais or Sentier adjacency here, no walk-by press traffic, no possibility of combining a shoot with a retail moment. What you gain is a controlled, closed environment where a campaign can be shot across multiple virtual sets in a single day, with the Orfea residence a few hundred metres away for crew who need to be on set at 6am. Teams modelling total cost against a central Paris stage usually find the maths obvious once travel and overtime are factored in, and our budget calculator tends to confirm it. Arriving here feels like arriving at a technical facility, not a fashion address, and brand teams should expect that. The surrounding block is low-rise industrial and commercial, with vehicle dealerships, a drive-through supermarket and light logistics units setting the tone, and the rhythm is early. Movement peaks between 7am and 9.30am as crews and local workforce arrive, drops to near silence through the middle of the day, then picks up again at shift change. Afternoons are quiet enough that client arrivals feel private, which is genuinely useful for unreleased collections or embargoed campaign material. The studio floor is at basement level, which removes daylight variables entirely and gives you full control over the LED environment, and there is parking for talent and crew directly on site. What we consistently hear from brand teams who activate here is that discretion and technical capability outweigh the lack of atmosphere, particularly when our production and build team handles the physical set alongside the virtual one. Be clear on the limitation: this neighbourhood is unsuited to temporary retail, walk-in traffic, sample sales or any press day where the address itself is expected to signal brand positioning.",
  "faq": [
    {
      "question": "Is this space available for pop-up shops?",
      "answer": "No, this Trappes studio is not suitable for a pop-up shop and we would steer you away from booking it for one. The 1,350 sqm floor sits at basement level in the Pissaloup and Buisson de la Couldre technical zone, where the surrounding streets are dealerships, light logistics units and unit van loading bays rather than retail frontage, and footfall in the immediate 400 m ring is effectively zero. In our experience handling temporary retail across the Paris region, a pop-up needs walk-by traffic or an address that signals brand positioning, and this one offers neither. What it does offer is a controlled LED volume for campaign and content production, which is a different brief entirely. If temporary retail is what you need, look at our spaces in Paris"
    },
    {
      "question": "What does Fashion Week Venues handle on my behalf for this booking?",
      "answer": "We handle the full path from brief to wrap, so your team arrives to a studio that is already scoped and crewed. At this address specifically we manage the availability hold and contracting, the temporary use agreement with the operator, coordination of the LED volume, camera tracking system and server configuration against your shot list, physical set build alongside the virtual one, crew catering logistics through the on-site kitchen, and parking allocation for talent and unit vehicles. Because the studio is a technical facility rather than a plug-and-play venue, we also brief the control room team on your compositing requirements before day one. Complex builds are scoped early with our production and build"
    },
    {
      "question": "What is the day rate to rent this studio?",
      "answer": "The day rate is 3,600 EUR for the 1,350 sqm studio, which includes access to the LED volume, the real-time camera tracking system and the control room. That figure covers the space and core technical infrastructure; crew, talent, content adaptation and any physical set build are quoted separately on a brief-based pricing model once we understand how many virtual environments you need per day. Brands modelling this against a central Paris daylight stage plus separate LED, tracking and server hire usually find the bundled rate lands lower once rigging and transport are counted. Run your shot count and crew size through our budget calculator"
    },
    {
      "question": "What is the minimum and maximum booking length?",
      "answer": "You can book by the day, with a one day minimum and a five day maximum on this listing. That structure suits crewed campaign days, e-commerce capture blocks and short brand film schedules, and it means a single day booking is genuinely available rather than something we have to negotiate. The five day ceiling does rule out multi-week standing builds, so if your production needs a set left rigged for a fortnight this is not the right stage. Brands running this format in Trappes typically take two or three consecutive days and move through several virtual environments per day rather than spreading one environment across a week."
    },
    {
      "question": "How large is the space and how is it laid out?",
      "answer": "The facility is 1,350 sqm, or 14,531 sq ft, arranged as a basement level LED volume with a dedicated control room adjacent to the shooting floor. Supporting the volume are three interior dressing rooms plus a separate exterior dressing room, a full kitchen, a stock room, counters, garment racks and fitting rooms for wardrobe handling, and office and meeting areas for client review. Estimated working occupancy is around 1,400, though in practice a crewed shoot day here runs at a fraction of that. Floor plans and 3D layout drawings are on the listing, and we can send the technical pack with LED dimensions and tracking coverage when you enquire."
    },
    {
      "question": "Is there natural light in the studio?",
      "answer": "No, and that is the operational point of this space rather than a compromise. The studio floor is at basement level with no daylight, so colour temperature and continuity hold identically from the first frame of the morning to the last take at wrap, with no weather risk and no window flare to work around. For LED virtual production this is the correct condition, because every lighting variable comes from the volume and your rig rather than from the sky. Brands shooting long e-commerce or lookbook blocks tell us this is what saves them a second unit day. If your creative depends on genuine daylight, you should be shooting on location instead of hiring this stage."
    },
    {
      "question": "What LED and virtual production equipment is included?",
      "answer": "LED screens, a real-time camera tracking system and on-site media servers are part of the facility, alongside a control room configured for live compositing. Sound and video equipment, studio lighting, electricity provision, air conditioning and a security system are all in place, and the operator's technical team supports content adaptation and virtual set setup as well as physical set construction. This is why creative directors approve frames on the monitor rather than imagining them in post. In our experience handling bookings at technical facilities like this one, the value case rests entirely on how well your 3D assets are prepared before the shoot day, so we scope that with you before dates are locked."
    },
    {
      "question": "Are there dressing rooms and wardrobe facilities for talent?",
      "answer": "Yes, there are three interior dressing rooms plus an exterior dressing room, supported by fitting rooms, garment racks, counters and a stock room for stock and sample handling. That combination is why brands use this space for high volume e-commerce and lookbook capture, because you can run multiple looks in parallel without a wardrobe bottleneck on the shoot floor. The kitchen keeps a full crew on site through the day rather than losing an hour to a lunch run in an area with only one restaurant within 600 m. If you need styling rails, mirrors or additional wardrobe furniture beyond what is in place, our furniture rental"
    },
    {
      "question": "How do crew and equipment get into a basement level studio?",
      "answer": "There is lift access to the basement floor and on-site parking for talent, crew and unit vehicles, which is the practical reason production teams choose this Trappes address over a central Paris stage. The building sits in an industrial zone built around vehicle movement, so unit vans, grip trucks and camera cars are the normal traffic on Avenue Gutenberg rather than an exception. We confirm exact loading door dimensions, lift capacity and vehicle access windows in the technical pack before you commit, because that detail decides whether an oversized physical set element can reach the floor. Brands bringing large builds usually walk the route with us at recce stage."
    },
    {
      "question": "Is there parking and how do crew get here by public transport?",
      "answer": "Yes, parking is on site, which is how most crew arrive at this Trappes facility. Public transport is bus-led: the Galilée stop on line 430 is a one minute walk at 45 m, Kepler on lines 12, 430 and 431 is two minutes away, and Fermi and Copernic add further coverage within a six minute walk. Trappes and La Verrière stations on RER C and Transilien Line N are roughly 15 to 20 minutes by car or local bus, and the A12 and N10 give direct road access from Paris, Vélizy and Guyancourt. For 6am call times the Résidence Orfea sits 439 m away on foot, which we routinely block for talent and early crew when you rent the studio for consecutive days."
    },
    {
      "question": "Do I need a permit to shoot here?",
      "answer": "No street or city filming permit is required for work contained inside the studio, because you are shooting on private premises under a temporary use agreement rather than in public space. That is one of the reasons brands book LED volumes for campaign work in the first place, since permits, road closures and weather contingency all fall away. If your schedule includes any exterior capture on the surrounding streets in Trappes, that does need separate authorisation from the commune and we handle that application on your behalf. Our permit guide"
    },
    {
      "question": "What is this studio best used for?",
      "answer": "Seasonal campaign production is the first choice, because the LED volume and tracking system let you move through four or five distinct virtual environments in a single crewed day. It also works hard as a content studio for e-commerce and lookbook capture at volume, for brand film, music video and advertising work where live compositing matters, and for shooting a digital collection preview that then feeds wholesale appointments and press distribution. Workshops and internal upskilling on virtual production are a genuine use here too, since the facility is set up for teaching and collaboration as well as shooting. Press days, sample sales and any format needing physical buyer or public attendance do not belong at this address."
    },
    {
      "question": "Can I hold buyer appointments or a press day here?",
      "answer": "Not as a physical hosting venue, though it is well suited to producing the assets those moments run on. Trappes has no fashion adjacency, no walk-by press traffic and one hotel plus three retail units within 600 m, so bringing buyers or editors out from central Paris is a hard ask for a fashion showroom function. What brands do instead is shoot the collection across multiple virtual sets here and use those images for buyer preview decks, wholesale appointments and press distribution from a central address. The upside of the location is discretion: afternoons in this zone are quiet, which suits embargoed campaign material and unreleased collections."
    },
    {
      "question": "Is wifi, air conditioning and security in place?",
      "answer": "Yes, the studio comes move-in ready with wifi and wired internet, air conditioning, heating, a security system and full electricity provision across the floor. Connectivity matters more than usual on an LED stage because content is served live to the screens and clients often want remote review, so we confirm bandwidth against your workflow before the shoot day. The security system and closed basement environment are part of why brands with unreleased product choose this facility over a shared daylight studio. Air conditioning is not a luxury on a volume of this size either, given the heat load from LED panels and lighting across a full unit day."
    },
    {
      "question": "How much lead time should I allow, and when is availability tightest?",
      "answer": "Allow four to six weeks for most of the year, and longer if your shoot falls in the March or September fashion week windows or the Q4 campaign rush, when LED stages across the western Paris belt are the first to clear. Because the maximum lease here is five days, the calendar moves in short blocks and gaps do open at shorter notice, so it is always worth asking whether your dates are available now. In our experience placing production bookings in this corner of the Yvelines, the constraint is rarely the room and usually the crew and asset preparation running behind the date. Send your dates early and we will hold them while the brief firms up."
    },
    {
      "question": "How do I enquire and what happens next?",
      "answer": "Send us your shoot dates, crew size and virtual set requirements and we reply within 24h with confirmed availability and a costed hold. From there we issue the temporary use agreement, confirm the technical pack covering LED dimensions, tracking coverage and server setup, and schedule a recce if your build is complex. Deposit terms are set out in the agreement and there is no charge until confirmed, so requesting availability costs you nothing. You can see how the stages run in sequence in our how our process works"
    },
    {
      "question": "What is the day rate?",
      "answer": "€3,600 / day. Weekly and press-preview rates are quoted on request."
    },
    {
      "question": "Is staging, branding and fit-out permitted?",
      "answer": "Yes. Fashion Week Venues runs the full production build — signage, fixtures, lighting, sound, catering and staffing — subject to venue rules. Include your fit-out brief in the inquiry."
    },
    {
      "question": "What is included?",
      "answer": "Included on-site: Internet, Air Conditioning, Security System, Stock Room, Counters, Fitting Rooms, Garment Rack, Lighting."
    },
    {
      "question": "How far in advance should we book?",
      "answer": "Fashion week windows book 6–10 weeks out. Off-season activations can be secured in 2–3 weeks."
    }
  ],
  "editorialFaqCount": 16,
  "city": "Trappes",
  "country": "FR",
  "lat": 48.76520565,
  "lon": 1.9840564,
  "areaSqm": 1350,
  "areaSqft": 14531,
  "priceLabel": "€3,600 / day",
  "priceEur": 3600,
  "coverImage": "https://fashionweekvenues.com/i/virtual-production-studio-with-led-technology-1b892d65-1.jpg",
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes"
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, interior view"
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, second interior view"
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, third interior view"
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      "url": "https://fashionweekvenues.com/i/virtual-production-studio-with-led-technology-1b892d65-6.jpg",
      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, additional interior view"
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, further interior view"
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      "url": "https://fashionweekvenues.com/i/virtual-production-studio-with-led-technology-1b892d65-8.jpg",
      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, detail view"
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      "url": "https://fashionweekvenues.com/i/virtual-production-studio-with-led-technology-1b892d65-9.jpg",
      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, further detail view"
    },
    {
      "url": "https://fashionweekvenues.com/i/virtual-production-studio-with-led-technology-1b892d65-10.jpg",
      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, interior view 2"
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      "caption": "Virtual Production Studio with LED Technology, 1350 sqm, video production, pop-up rental in Trappes, second interior view 2"
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    "Furniture",
    "Sound & Video Equipment",
    "Electricity",
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